9/19/2023 0 Comments Displaycal calibration for film![]() ![]() ![]() Things I need: I need to be able to color for projects for film, broadcast, and web I’m happy to do new calibrations in between if I have to, but I need to know what I’m doing. I’ve tried 3 calibrations so far with different settings and they give me very different results and so I feel the need to ask what the best settings are for me and my needs. But on my quest I learned of Displa圜al and decided to switch to this for my calibration. Windows 7 – Nvidia Quadro K5200 – Dell U2410 (10 bit IPS) – Spyder 4 Elite – and my calibration process in the past was just to calibrate in the Spyder software, and I tried several different presets and all gave fairly similar results, and I was pleased with the colors.Ī few days ago I started doing some research into calibration for DCI-P3 for this film I’m on and uncovered a slew of things which caused more questions than answers. My methods have worked for me so far and no one has complained about weird color shifting or anything, but I always delivered ProRes files and not DCP’s or anything, so I don’t know if they applied some color science afterwards for the broadcast stuff. I have colored other projects for web and international broadcast, but I recently learned about Displa圜al and I’m trying to rethink my calibration methods. Hi, I am editing a feature documentary right now and will be doing the Color for it as well, and will be doing more Color work in the near future. ![]()
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